Posts under tag: Leah Middlebrook
COLT invites you to join guests David Sterling Brown (SUNY Binghamton), Nick Jones (Bucknell U), Christina Lee (Princeton) and Marc Schacter (Durham, U.K.) and respondents Lara Bovilsky (ENG), Leah Middlebrook (COLT), Amanda Powell (RL) and David Wacks (RL) as we consider new research and emerging methodologies by which to approach the concepts of racialization, race, and emergent discourses of national, ethnic and religious identity in the early modern period. In particular, these discussions build from the insight that modern ideas about race were shaped in part by discourses of religious and ethnic sameness and difference that developed in medieval and early modern Iberia.
In addition to the scheduled research presentations and discussions, the symposium includes two open conversations, one focused on mentoring strategies for the 21st century and one focused on publishing venues.
The symposium runs from 8:30 a.m. – 4:30 p.m. on Friday and from 9-12:30 on Saturday. All events will be held in the Spruce and Cedar Rooms of the EMU.
Readings are available in advance, for those who would like to learn more about the research of our invited guests.
Please contact Leah Middlebrook (email@example.com) for links to the readings, or with any questions.
Hope to see you there!
In February, Leah Middlebrook spoke at a panel on Why Read Don Quijote Now? as part of the U.C. Berkeley Designated Emphasis on Renaissance and Early Modern Studies’ series “Why Read…?” Her short talk, titled “Knight + Duenna as a Way of Life,” took a twenty-first century look at the theme of friendship in the novel.
RAÚL ZURITA (1950) is one of Latin America’s most celebrated poets. His works include Purgatorio (1979), Anteparaíso (1982), Canto a su amor desaparecido (1985), La Vida Nueva (1994), INRI (2003) and Zurita (2011). Through his writings, Zurita chronicles the violent history of Chile’s military dictatorship as well as that of the Americas since the conquest. In 1979, along with other artists, he founded CADA, Colectivo de Acciones de Arte, an art action group dedicated to the creation of political art that would resist the military regime. In 1982, he composed a poem in the sky over New York, and in 1993 he bulldozed “ni pena ni miedo” (no pain no fear) into the coarse sands of the Desert of Atacama. Due to its dimensions, this line is only visible from the sky. Zurita was awarded the Chilean National Prize of Literature and a scholarship from the Guggenheim Foundation. He has been conferred two Doctor honoris causa degrees and is Professor emeritus at the Universidad Diego Portales.
Lunch Brown Bag Conversation in Spanish with the Poet
TUESDAY SEPT 26 at 12:00pm to 1:30am
Erb Memorial Union (EMU), Lease Crutcher Lewis Room 023
1395 University of Oregon, Eugene, OR 97403
POETRY Reading (in SPANISH)
WEDNESDAY SEPT 27 4pm-5:30pm
Browsing Room, Knight Library
(Q/A in Spanish and English)
The generous support of the College of Arts and Sciences Program Grant, the Oregon Humanities Center, the Translation Studies Working Group, Romance Languages, Comparative Literature, Latin American Studies, and the Center for Latino/a and Latin American Studies (CLLAS) makes this event possible. These events are free and open to the public.
Contact Prof. Cecilia Enjuto Rangel (firstname.lastname@example.org) for a reservatiofor the Q/A session. We will meet at noon, so if you want to bring a brown bag lunch, you can.