Posts under tag: Italian
Please join us for the final lecture of the ‘Thinking Authenticity’
Noa Steimatsky (Berkeley/ACLS)
‘The Face on Film: Made and Unmade’
Wed May 23
3-5pm Willamette 100
Noa Steimatsky is Fellow of the American Council of Learned Society and Visiting Associate Professor of Italian at UC Berkeley. Exploring the ways in which the facial close-up has often been described in film criticism as a moment of truth within the cinematic image, the lecture will show that the face is much more than the quintessential incarnation of the person and that our encounter with its representation is also predicated on a sense of ambiguity and illegibility.
Two of our outstanding Romance Languages majors received impressive recognition from the awards committee. Please congratulate these students for their wonderful contributions to the UO community and their impressive academic efforts. We are very fortunate to have such inspiring undergraduate students in our department.
Sara Espinosa, RL (FR & SPAN) & Journalism (PR) major Vernon Barkhurst Sophomore Award: (THE sophomore award) This award is given to a sophomore who best exemplifies academic excellence, university service and good citizenship. This award was established in 1984 in honor of Vernon Barkhurst, who served as Director of Admissions, Associate Dean of Students, and Conduct Coordinator.
Cecelia Barajas, RL (FR & ITAL): Junior Award – Gerlinger Cup (one of only five awards given to juniors): The Gerlinger Cup, first presented in 1914, is the gift of the late Irene Gerlinger, a member of the University Board of Regents from 1914 to 1929. The cup is awarded to the outstanding junior woman selected for scholarship, leadership, and service to the university.
Congratulations, Sara and Cecelia!
The Department of Romance Languages invites you to a Special Screening of FIRE AT SEA (G. Rosi: 2016)
When: Thursday, April 19 (5pm)
Where: PLC 180
Facebook event: https://www.facebook.com/events/2121597754730134/
Introduced by Prof. Alberto Zambenedetti (U. of Toronto)
An Academy Award nominee for Best Documentary Feature and the first nonfiction film to ever win the top prize at the Berlin International Film Festival, Fire at Sea takes place in Lampedusa, a remote Mediterranean island that has become a major entry point for refugees into Europe.
PROF. ALBERTO ZAMBENDETTI is Assistant Professor of Italian and Cinema Studies at the University of Toronto. His scholarship focuses on questions of human mobility (from migration to tourism) in Italian cinema and on the relation between film and urban environments.
This essay examines Girolamo Graziani’s well-received epic poem, Il Conquisto di Granata (The Conquest of Granada, 1650), as a compelling piece of an Italian genealogy of New World Italian epic poetry, to which corpus the Conquisto belongs, despite its title. Indeed, in a convenient reworking of the historical timeline, the Columbus of this work returns to Spain from his first voyage to the Americas in time to fight the Moors of Granada, and he plays a decisive role in their defeat. The poetic project of the Conquisto incorporates three main aims: to address and remedy criticisms leveled against earlier Italian epic poetry about the New World, to establish Columbus as the narrative and ideological link between Conquest and Reconquest and, more broadly, to maintain the international status of Italian letters at a time when deeds and facts—expansion, colonialism—come to define the prestige of European proto-nations.
Hester, Nathalie. “Baroque Italian Epic from Granada to the New World: Columbus Conquers the Moors.” The Discovery of the New World in Early Modern Italy: Encounters with the Americas in the 16th-18th Centuries. Eds. Elizabeth Horodowich and Lia Markey. Cambridge: Cambridge UP, 2017. 270-287.
On Thursday Nov. 16th Prof. Renga (Chair of Italian and French at Ohio State University) will give a lecture on the forced exile of several homosexual inmates during fascism as represented and memorialized in a number of Italian documentaries and fiction films.
Nov. 16th (5pm)
In 2003, multi-term ex-prime minister of Italy Silvio Berlusconi stated: ‘I understand the difficulties of teaching democracy to a people who for nearly forty years have known only dictatorship.’ Interviewer Nicholas Farrell prompted: ‘Like Italy at the fall of Fascism.’ To this, Berlusconi infamously declared ‘That was a much more benign dictatorship; Mussolini did not murder anyone. Mussolini sent people on holidays to confine them to banishment to small islands such as Ponza or Maddalena which are now exclusive resorts.’ The promotion of internal exile (‘confino’) as holiday is particularly interesting when considering the experience of men sent to the islands for suspicion of ‘pederasty’ (as it was referred to at the time). As this talk discusses, gay men found a certain amount of freedom on an island prison where conditions were grim, barracks were overcrowded, illness was rampant, jobs were unavailable, and the average stipend was only four lire per day. At the same time, the experience of gay men sent into internal exile is cloaked in silence. The lecture interrogates this silence by looking at two feature films, three documentaries, and a graphic novel that treat, to different degrees, the experiences of gay men sent into internal exile.
Prof. Sergio Rigoletto has published an essay titled ‘Against the Telelological Preseumption: Notes on Queer Visibility in Contemporary Italian Film’ in The Italianist 37: 2, 2017. The essay is concerned with some of the problems involved in the task of narrating the queer self. At a time in which positive queer representations have become increasingly common in Italian cinema and other media, it is worth asking what conditions underpin the present regime of queer visibility and what alternative queer experiences have been either obscured or marginalized. The first half of the essay explores the recent popularity of the coming out narrative in the Italian context. The essay asks what epistemological assumptions underlie the metaphor of coming out and how such assumptions have come to affect the terms under which queerness appears now visible in Italian cinema and other media. The second section of the essay focuses on several recent Italian documentaries including La bocca del lupo (Marcello: 2009), Felice chi è diverso (Amelio: 2013) and Le coccinelle. Sceneggiata transessuale (Pirelli: 2011). The essay shows the complex ways in which these films deploy their dissident strategies of queer self-revelation and configurations of social legibility.
Le coccinelle. Transsexual Melodrama (Pirelli: 2011)
Kevin Regan-Maglione wins CAS fellowship to research collection of Reinaldo Arenas Papers at Princeton University Library
Kevin Regan-Maglione, a 4th-year doctoral candidate in Italian and Spanish in the Department of Romance Languages, received the Charles A. Reed Fellowship from UO College of Arts and Sciences to do archival research for his dissertation, which focuses on queer subjectivities and prison testimonies.
This fellowship will fund his research during the Spring 2018 term at the Princeton University Library, where its Manuscript Division holds the Reinaldo Arenas Papers, a collection that consists of typescripts and manuscripts of novels and novellas, short stories, plays and screenplays, poetry, nonfiction, correspondence, and miscellaneous material, produced by the Cuban author.
Kevin is also interested in the author’s 135 letters to Jorge and Margarita Camacho, also held there. Kevin expects these materials will provide invaluable insight into Arenas’ conceptualization of his autobiographical testimonial writing. The second chapter of Kevin’s dissertation deconstructs the testimonial drive and show how queerness operates within and against normative testimonial prison writing.
“Not only does [studying a language] help you understand yourself in comparison to another culture in another place, it also gives you tools to work in such a globalized society.”
French, Italian, and Portuguese faculty from the Romance Languages Department will lead a week long series of events to celebrate Carnevale 2014. All events will be held in the Global Scholars Hall on the University of Oregon campus. Learn to cook French Liege Waffles! Learn to dance the Capoeira! Watch a movie!