Posts under tag: Italian Cinema
Assistant Professor of Italian and Cinema Studies Sergio Rigoletto has published Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s (Edinburgh University Press, 2014). Rigoletto’s book is a study of how Italian films re-envisage male identity in response to sexual liberation. Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country’s many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement.
Through careful historicisation, theoretical argumentation, and scrupulous formal analysis, Sergio Rigoletto reveals 1970s Italian cinema as a peculiarly rich archive for thinking through the impasses and complexities of masculinity and its representation. This book refreshes and enlarges our understanding of the cinematic and sexual politics of this crucial period.
—John David Rhodes, University of Sussex
Masculinity and Italian cinema offers a bold and convincing new reading of Italian cinema of the 1970s as a period of self-conscious reflection on the meaning of masculinity. Rigoletto’s fascinating close readings of key films and lucid application of theory bring gender politics into the mainstream of Italian film history.
—Danielle Hipkins, University of Exeter
Assistant Professor of Italian and Cinema Studies Sergio Rigoletto has published a co-edited volume entitled Popular Italian Cinema (Palgrave Macmillan). The collection includes two essays by Prof. Rigoletto: “The Fair and the Museum: Framing the Popular’ (co-written with L. Bayman) [Open Access Postprint] and “Laughter and the Popular in Lina Wertmüller’s The Seduction of Mimì” [Open Access Postprint].
‘This volume really does represent a shift in thinking on Italian cinema, and the many fine, young scholars who contribute to this book show the direction that future criticism of Italian film will take. It is a valuable contribution to cinema studies on many levels, and I was delighted to have read it.’
– Peter Bondanella, Distinguished Professor Emeritus of Comparative Literature, Film Studies and Italian, Indiana University, USA
Prof. Rigoletto has also published an essay, “Contesting National Memory: Masculine Dilemmas and Oedipal Scenarios in Bernardo Bertolucci’s Strategia del ragno and Il conformist” [Ingenta] [Open Access] in Italian Studies. The essay is a reading of the theme of the oedipal conflict between father and son in these two films as an exploration of the problematic relation between Italy’s post-1968 and its fascist past.