Prof. Rigoletto publishes an essay on queer visibility in contemporary Italian documentaries
Prof. Sergio Rigoletto has published an essay titled ‘Against the Telelological Preseumption: Notes on Queer Visibility in Contemporary Italian Film’ in The Italianist 37: 2, 2017. The essay is concerned with some of the problems involved in the task of narrating the queer self. At a time in which positive queer representations have become increasingly common in Italian cinema and other media, it is worth asking what conditions underpin the present regime of queer visibility and what alternative queer experiences have been either obscured or marginalized. The first half of the essay explores the recent popularity of the coming out narrative in the Italian context. The essay asks what epistemological assumptions underlie the metaphor of coming out and how such assumptions have come to affect the terms under which queerness appears now visible in Italian cinema and other media. The second section of the essay focuses on several recent Italian documentaries including La bocca del lupo (Marcello: 2009), Felice chi è diverso (Amelio: 2013) and Le coccinelle. Sceneggiata transessuale (Pirelli: 2011). The essay shows the complex ways in which these films deploy their dissident strategies of queer self-revelation and configurations of social legibility.
Le coccinelle. Transsexual Melodrama (Pirelli: 2011)